Exhibit 3: Revenue breakdown
Year to January |
2016 £000s |
2015 £000s |
Change % |
Brands |
|
|
|
Harlequin (including Scion) Sanderson (including Morris & Co) Zoffany Other brands Licensing |
31,676 21,503 11,749 931 2,043 |
28,982 21,698 11,223 716 2,081 |
+9.3% -0.9% +4.7% +30.0% -1.8% |
|
67,902 |
64,700 |
+4.9% |
Manufacturing |
|
|
|
Standfast & Barracks Anstey |
15,681 18,648 |
16,744 18,330 |
-6.3% +1.7% |
|
34,329 |
35,074 |
-2.1% |
Geographical breakdown |
|
|
|
UK Continental Europe North America Rest of the World |
57,509 12,551 10,099 7,680 |
55,450 12,206 8,494 7,223 |
+3.7% +2.8% +18.9% +6.3% |
|
87,839 |
83,373 |
+5.4% |
Source: Walker Greenbank company announcements
Harlequin (incorporating Scion and Anthology) is the most successful and largest of the group’s brands. Its products are aimed at the mid-level of the premium market, with price points typically £22-89 per metre/roll. Its collections include a distinctive range of contemporary styles, which have enabled the brand to establish itself as UK leader in its chosen market segment. Harlequin is the leading independent supplier to the John Lewis Partnership (6% of group revenues), but is also gaining further recognition among interior designers and decorators. The brand was extended in 2012 with the introduction of Scion, a new contemporary brand with lower price points (£21-49), and targeting younger age groups. Anthology was added in 2014, as a new standalone brand, aimed mainly at the export market, through the Harlequin distribution network.
Harlequin delivered 9.3% revenue growth to £31.7m, over the full year; at the interim stage, revenues were running 15.6% ahead. The reduced rate of growth during the second half stemmed from a number of factors; the timing of new product launches, which were particularly prevalent in the Scion and Anthology brands, boosted first half sales, as did the 2014 upgrading of the Chelsea harbour showroom, which had benefited the previous year’s second-half result. In addition the availability of printed fabrics will also have held back progress in the final quarter.
The outlook remains positive despite tough trading conditions in certain overseas markets, especially Russia and Eastern Europe (up to 10% of revenue). Disruption will have continued in the first quarter, but with all three brands introducing important new collections, we anticipate useful revenue progress in the current year.
Arthur Sanderson (incorporating Morris & Co) is the oldest of the group’s brands, dating back to 1860. It is targeted at the mid to upper end of the premium market, with price points of up to £120 per metre/roll. It is an internationally recognised brand, with a royal warrant and a distinctive and unique archive. Morris also has a similarly long heritage, based on the skills of the acclaimed designer William Morris; product is also supplied into the mid to upper end of the premium market, its price points are above those for Sanderson. Morris & Co and Sanderson designs lend themselves to printed fabrics, providing considerable upstream work for the group manufacturing operations. The introduction of Sanderson Home in 2012, targeting a slightly younger market segment with somewhat lower (£21-50 price points and represented a significant extension to the brand.
Last year’s trading saw a reversal of the previous year’s trends, with a 2.1% reduction in UK sales almost balanced by a rise in export revenues; overall sales were just 0.9% lower at £21.5m. Again there was a better first half performance, with UK sales probably more severely affected by the flood because of the higher proportion of printed fabrics in its product offer. We sense that second half overseas sales were less severely affected because of the longer supply pipeline.
The current year will benefit from a number of new collections, especially ‘Woodland Walk’ for which there have been very positive reviews. Morris is also benefiting from a subtle change in design strategy. Difficulties related to fabric availability will undermine the performance in the first quarter, but we look for revenue progress over the year as a whole.
Zoffany is aimed at the upper end of the premium market. The style tends to be historically based, with many patterns adapted from the furnishings found in certain stately homes. It is the youngest of the group’s brands, established just over 30 years ago, but has quickly become recognised for the quality of its rich weaves and elegant designs. Price points start at £42 per metre/roll, but are typically more than double those of other group brands and can be as much as £240 per metre/roll.
Revenues recovered by a further 4.7% last year to £11.7m, with useful growth in both UK and overseas sales. The outlook continues to improve – increased support from the strengthened central design team has led to new collections with more subtle colour schemes. Early indications from interior decorators suggest that there will be useful growth again in the current year. With Zoffany typically using woven fabrics, the flood should not be a factor.
Standfast & Barracks is the last remaining successful UK-based high-quality fabric printer. It has unique design skills and extensive fabric preparation and finishing processes, which ensure the highest quality of product, combined with the ability to print effectively on a comprehensive range of base fabrics, including cotton, linen, silk, wool and velvet. In addition to supplying the group requirement for printed fabrics, some 60% of output is produced for third-party, high-quality furnishing fabric houses, such as Osborne & Little and Designers Guild. The introduction of digital printing has added to the flexibility and, hence, the profitability of the plant since 2010. It has also created opportunities to supply product more widely, such as into the apparel industry – the company has supplied Liberty for some years, while discussions are ongoing with a number of other potential customers.
Standfast’s performance last year was severely affected by the flash flood in early December, which led to severe losses of inventory, machinery and, of course, profits. The group does not disclose the profits of individual businesses, but to put the performance into context, first half revenues were up by 16% to £9.6m, while second half revenues fell by 30% to £6.1m; over the full year, revenues slipped back by 6.3% to £15.7m. Third-party sales grew nominally, but in-house revenues fell back sharply by 12.9%.
Production restarted in a small way in late February and has progressively increased. It is planned that the business will be close to full production capability by the end of April 2016. In house business is being restored as the company’s capabilities are being restored. The timing of the restoration of third party business is more difficult to predict. The complete closure of the factory for almost three months has, naturally, led to several customers looking elsewhere for supplies of printed fabric. The speed with which this business is regained will depend on the performance of their new/temporary suppliers, the terms of their new contracts and the strength of the relationship with the company. Walker Greenbank management believes that most of the lost business will be regained, but is conscious of the fact that most alternative suppliers will be overseas based, suggesting that the process may take several months, possibly going into 2017. We understand that the lost digital printing capacity will be replaced with new machines, two of which will be of higher specification than their predecessors.
Anstey is one of few remaining UK wallcoverings manufacturers, and the larger of two specialists at the quality end of the market. The company is able to use a wide range of paper and vinyl bases, and employs a full range of printing techniques to meet the varying needs of a specialist customer base. The plant is equipped to concentrate on shorter runs and is building an impressive third-party customer base (estimated 50% of sales).
Revenues grew by just 1.7% last year to £18.6m, with a substantial rise in third-party sales more than compensating for a 14.5% reduction in in-house sales. The latter was already evident at the interim stage, when management cited a major inventory investment in the previous year, to cover the introduction of a number of new collections, notably for the Anthology brand. The recent investment, broadening the manufacturing capability, suggests further progress in the current year.